TOWN SQUARE

The Fourth Industrial Revolution will bring many challenges. As the world goes virtual, the role of public gathering places will need addressing. The Town Square must again become the centre of local discourse. If not, the 4IR may become known as the Period of Polarisation.

From Wikipedia

“A town square (or square, plaza, public square, city square, urban square, or piazza) is an open public space^[1] commonly found in the heart of a traditional town used for community gatherings. Related concepts are the civic center, the market square and the village green.”

Piazza della Signoria, in Florence, Italy, a historic example of a traditional public square

Announcement of the establishment of the State of Slovenes, Croats and Serbs on Congress Square in 1918

https://en.wikipedia.org/wiki/Town_square

Warning

Town squares will become contested during the Fourth Industrial Revolution (4IR). Technology will permeate every part of daily life. As it does, the need for physical gathering places will rise. The risk is that such public spaces become battlegrounds.

Urban planners need to pay close attention, particularly in England. The virtual world is changing behaviours. These changes are spilling out into the real-world streets. [1]

Class system

Since the Edwardian period, England has neglected public spaces. Public squares that encourage the mixing of cultures are rare. The Georgians began the trend to fence off public spaces and streets. The policy was steeped in the British class system. In recent years, the privatisation of public space has accelerated.

Sample of English public spaces

In Southern continental Europe, the opposite is the case. Town squares are the centre of the entire community. The design, construction and purpose are all geared towards civic pride and participation.

Sample of Spanish public spaces

Spanish Squares

In Spain, all urban planning revolves around public space. There are plenty of elaborate squares and boulevards to be happened upon. Most though are of simple design and materials. They work for all occasions. Organised events, family gatherings, meeting friends or eating a sandwich. Finding a public space with a fence or a locked gate will be a challenge in Spain.

Some squares have a cafe or restaurant bordering the parameter; many don’t. It is unusual to see a cafe in the middle of a town square. Modern Spanish libraries and museums spill out onto public squares. Public spaces in Spain are welcoming and well used because of their simplicity. [2]

Comparison

The two photo galleries above show the public realm where people live. These are not tourist areas or places of commerce. Public spaces are there, in theory, for the local community and visitors to use and enjoy. The public realm in Spain sits at the very heart of a community. Unless there is a commercial reason, public space in England is a low priority.

Metaphor

Town Squares can be a metaphor for what is happening in the virtual world. Some people wish to see them controlled with restrictions on who has access. Others want them completely open, freeing and welcoming to all. [3] [4] [5]

Demonstration

Recent history has demonstrated how the virtual world can spill out into the real world.

Tahrir Square in Cairo, Egypt, is the most prominent example. Protests in 2013 began online, discussing government corruption and policies. WhatsApp groups and Facebook posts began to grow and to spread. Soon these virtual spaces were not enough. People had to come together. Tens of hundreds of thousands of people started filling Tahrir square. Night after night protests continued until Egypt’s President Mubarak toppled.

Similar scenes with different results played out across the Arab world. These 2013 protests became known as the Arab Spring.

Although not on the same scale, most areas of the developed world have seen similar protests. The rise of the online protest hashtag has been instrumental. #MeToo and #blm (#blacklivesmatter) are the most successful to date.

Brexit

Britain’s exit from the European Union was a direct result of online campaigning. What followed has been years of disruption, strife and polarisation. The struggle between the Leave and Remain camps manifested physically in London’s Parliament square. The argument has continued right up to the present day. [6]

Brexit supporter carrying Great Britain cardboard cutout, Parliament Square.

Rise of technology

As life moves further online, the need for real-world gathering forums will increase. Failure of authorities to not plan for this change could lead to dire consequences.

Reasons for people to engage within the physical world has been declining since the 1990s.

The internet changed the world of work, allowing employees to be more distributed. The onset of the pandemic brought a further scattering of the workforce as people work from home. Retail has been shifting steadily online. Restaurant food can now be delivered directly to the family dining table. The world of supermarkets without cashiers is upon us. Online gaming transformed from a table gathering to global competitions. The gaming industry now dwarfs, by revenue, the movie and music industries combined. [7]

There are plenty of Apps that anyone can access for free. However, to receive the full benefit requires buying a subscription. Public squares in England surrounded by cafes and shops are similar. To fully partake in the space requires a certain amount of purchasing power.

Two-tier England

English Extremes

Above photos from the Argent development, Kings Cross, London (2020). Below, public squares managed by Great Yarmouth borough council (2021).

In Spain, public squares are places where people congregate, play and celebrate. The public realm encourages the community to come together for serendipitous moments. Spending power is not relevant except in the most exclusive of shopping areas.

Public forum, with permanent outdoor screen, multilevel seating, no barriers. Eivissa, Ibiza, Spain, 2022. [4]

In England, the opposite is too often the case. There is heavy reliance on the private sector to create public amenity spaces. It is another aspect of Britain’s two-tier society. Money buys access.

Fenced public spaces, ‘Keep off the Grass’ signs and other rules are commonplace around England.

Bridge-building

Public space needs to become the bridge between the virtual and physical worlds. Some may believe this is about introducing VR – virtual reality. VR will soon be playing a much larger role, but this is more about the physical spaces themselves.

The layout, ambience and purpose of the public domain in England should be along Spanish lines.

Free to access town squares must have 5G connectivity. Multipurpose seating and tables that encourage gatherings, games, meetings and work. Architectural flair can overcome issues around Britain’s inclement weather. The public realm needs to be attractive to all cultures, ages and abilities.

Without change, England risks further polarisation. Addressing the poor quality of places for public gatherings is now urgent.

Conclusions

The internet has slowly eroded the need for people having to meet fellow citizens. The pandemic has further reduced real-world interactions. Technology seeping deeper into everyday life raises the potential of a more isolated society. Free to access public spaces is critical for communities to stay in touch in the real world.

The political discourse around local issues cannot be online alone. To allow this will lead to unhealthy debate and will undermine stable democracy. Views are best challenged and debated in the open, in places where alternative voices can be heard.

Open, free, real-world forums, like town squares, are the best spaces for such discussion to happen. Being open will also allay some fears around privacy, censorship and freedom of expression.

Britain is in the grip of a mental health crisis, with loneliness and a sense of isolation increasing. Social media gets some of the blame. Not much is written about the lack of public amenity spaces.

England needs to rethink its approach to the public realm. Design should encourage serendipity and random conversations. Learning from Spain’s public spaces would be a good start.

We are in the fifth decade of the internet. It will be one that will see the virtual world and the physical world merge. Successful societies this decade will be the ones with the most engaging public realm.

Introducing technology into these spaces is the next phase around the world. Creating buzzing ambient public spaces will be essential for community lifeblood. Animated public squares will also attract the next generation of innovators.

England needs to rethink the public realm urgently! This is where ‘levelling up’ has to begin.**

John M

** Levelling Up. A Conservative government manifesto pledge. What does it mean? https://www.centreforcities.org/levelling-up/

[1] see Public Space

[2] see Eivissa

[3] see Censorship

[4] see Apple Privacy

[5] see Leiston and Sizewell

[6] see Brexit

[7] see AI Supermarkets

CENSORSHIP

The lines between privacy, censorship and freedom of speech blurred as the internet evolved. This blurring is where the battle for social media is happening. Only real-world dialogue and understanding will produce a solution fair to all.

It‘s unfair accusing governments of abdicating duty around online communication. The issues are complex. Every decision a government makes will have long term ramifications. Unlike laws within a country’s borders, the internet requires global solutions. What one country deems libellous will be satire in another.

Culture. Economic standing. Educational attainment. Religious and political norms. Many considerations have to feed into the internet debate. The EU’s General Data Protection Regulation (GDPR) provides the first step.

Overlords

In January 2021, Twitter removed the account of Donald Trump. During this period, Donald Trump was one of the most popular accounts, by followers, on the platform. He was also the sitting President of the United States of America. In removing the account, Twitter effectively issued a D-Notice.

A D-Notice is an old UK government device sent to media editors to voluntarily not report on a story. The fundamental difference between a democratic government and Twitter is one is elected, and the other is not.

And herein lies the rub. Who gets to decide what is and what is not acceptable online?

Has Twitter become a new form of democratic state? Rather than built on votes, Twitter runs on Tweets and sentiment.

Sentiment

Marketers use sentiment analysis to ascertain campaign effectiveness. It is a powerful tool for understanding how the public reacts to a topic or event. What it does not have are policy setting attributes. And this is what sets a government apart from corporations. Governments, in theory, set policies for the overall good of society in its entirety. Corporate policies set strategic goals for the company, shareholders and customers.

Distributed power

Aside from politics, the Trump episode highlights a dispersal of power. Beyond a vote, citizens can now vocalise their views, demands and concerns globally. This vocalisation has brought benefits and worrying situations. The storming of the US Capitol in January 2021 is one case in point.

Printing press politics

At the time of its creation, the printing press was the social media platform of its day. What followed sparked the violence of the Protestant Reformation and widespread education. One saw families and communities torn apart while the other brought societies together.

Our present period is no different.

The 2011 Arab Spring was, in part, attributed to social media as much as the underlying discontent. In Syria, a brutal war ensued. In Saudi Arabia, women began forcing reform around equality.

Protests, Black Lives Matter (BLM) and #MeToo went global due to social media. Groups opposed to change also use the same platforms to maintain the status quo.

So who is the referee for social media? And who was the referee for the printing press?

Public space and the arts

Public space has been the one constant throughout the history of societal change. Back to the time of the Greek agora, public space has proven pivotal, along with the arts, in forging progress.

Technological interaction is integral to progress. Real-world interaction is essential to peaceful co-existence.

It has never been more critical to have open gathering places and public spaces. Real-world environments challenge opinions and viewpoints. There is more exposure when people meet in person. More reactions are on show; body language, sweat, pupil dilation. These reactions can be positive or negative, depending on the situation. It is a different dynamic to sitting semi-anonymous behind a keyboard.

Fourth Portal

Public space, where people come together remains the best place for consensus to emerge. The arts will play a pivotal role as always. The ability of artists to see beyond the mundane will light the path.

The haphazard business journey has been to uncover what a hub of the future will look like? What does it need to convey? What will make it different?

The Fourth Portal hub needs to counter-balance the online environment. A hybrid meeting place, operating in both the real and virtual world. Open discussion and dialogue are intrinsic to the hub.

A successful Fourth Portal will spill over into other public forums. The reassertion of the historical value of public space is needed. Encouragement is required to reevaluate the importance of the town square and marketplace as places to gather. Urban design needs to incorporate hybrid relatedness into all future buildings. A well designed public space will be both physical and virtual.

Conclusion

Censorship demands by one group will be freedom of expression for another.

Measures to balance different views have not kept pace with the growth of online platforms. Meanwhile, the internet has become an extension of everyday life. It has allowed mass connectivity. Despite this, there is an increase in isolation and dis-association. Something is not right!

Censorship and privacy laws will be unable to address the problems of online interaction. Only real-life engagement and dialogue will solve these issues.

Governments are struggling to draft legislation. Big tech presently fills the void with their own rules.

We are only on our second-generation since the creation of the World Wide Web. The printing press has had dozens of generations shaping laws, regulations and principles, and we are still tinkering.

Public space, where people come together, remains the best place for consensus to emerge. It may take a long time. Discussion allows a better understanding. Ultimately, new online manners will emerge through real-world conversations – not on Twitter. The Fourth Portal will play a small part in nudging this conversation towards equitable consensus.

John M

BEYOND CAPITALISM

Seeing Kamala Harris huge happy smile brings me back to what I wrote exactly 4 years ago, as Donald Trump was confirmed US President. Vice-President Harris represents ‘the first flower open[ing] through a crack on the rocky path where only the ignored moss seemingly existed.’

Listening to the Vice-President’s humble speech acknowledging ‘the strength of vision to see what can be unburdened by what has been, and I stand on their shoulders’, recognises that positive change is a fluid process, built over time, and by many who had to sacrifice themselves to the cause.

For me, Trump’s arrival signified the ‘Last Throes Of Capitalism’; he has represented, and continues to be, the personification of capitalism in its most grotesque form.

As the new world begins to emerge, it is essential that there is not a seeking of retribution or punishment for the white man, whose hands continue to drip with the blood of the earth. Our new world has to begin as it means to go on, taking the hand of the scared, confused, frustrated and angry and show them how beautiful the world really is, and the size of the universe and the joy ahead.

Like providing experiences for a child who has never experienced joy, the challenge now is to embrace and lead not through punishment but through love, and then we can really begin to create a new world that lives with our mother earth, not against her.

Trump | Last Throes Of Capitalism

John McKiernan | Nov 9, 2016 | 1 min read

There is an observation of the death throes of the capital system, beached as it is on the shifting sands. The huge tail swings wildly as it gasps for air. The white man keeper is becoming desperate as he watches the enormous beast slowly dying, and with it his power. He knows the game is up. He looks around observing the emptiness, it was all an illusion, nothing actually ever existed in his world besides the youthful conjuring trick.

Suicide beckons as fear engulfs the scarred mind of deluded dominance. Now alone, watching the only thing he ever truly loved, flailing in front of his own eyes, he scans the horizon for whom in which to blame. He sees no one. There is nothing left. He will need to sleep soon as he is hungry and weak. In his angry daze, full of confusion, contorted by hate, he stumbles inadvertently under the last great flap of the monstrous tail. There is silence. Serenity returns. The first flower opens through a crack on the rocky path where only the ignored moss seemingly existed. The sun begins to shine brightly again.

Read the original blog post here

Headline Photo: New York Times

Sunset on Capitalism | John McKiernan

John M

SILENT CACOPHONY

With Covid-19 ravaging populations and the World trying to come to terms with lockdown, it seems an appropriate moment to reactivate this Platform-7 project from 2013 exploring the trauma that follows on from a sudden shocking change in circumstance.

https://www.silentcacophony.info

History

Silent Cacophony took place in a multitude of locations simultaneously on Remembrance Day 2013 exploring the abstract nature of events like we are presently experiencing with Covid-19. The disease is inflicting mass death, suffering and forcing populations to adapt behaviour, and it can be assumed, leading many people to reassess what being human means.

Meaning of event

Increasingly over the past century the word ‘event’ has become associated with some form of performance, whether pop festival or football match. However, ‘event’ is really a moment in time when something extraordinary happens, which can be bad like a car crash or great, as when a healthy child is born. Daily life is full of small personal events that make up an individuals’ personality and worldview, then occasionally these small events are overtaken by a major personal event, as in being diagnosed with cancer or winning the jackpot on the lottery.

Recreating the feelings, emotions and empathy an individual feels at the moment of experiencing a major event is very difficult to recreate outside the bubble of that actual moment. The pain of hearing of death of one that is dearly loved or joy of first-love are very personal and acute sensations. In my view, only art can offer a close proximity to such emotions, by twanging the atoms deep within that foist upon humans the extreme emotional response that only appear in times of rare circumstance.

Silent Cacophony

Silent Cacophony inception came from reading personal diaries of people living through the two World Wars, particularly those who were exposed to sudden explosion, whether a bomb landing on their house or a bombardment from artillery while in a trench. A pattern began to emerge where people would describe life before a particularly incident in rosier terms and the time afterwards using deeply disturbing language. Similar accounts can be found when reading witness statements from victims of terrorist atrocities and major accidents. Terms like ‘it was so peaceful you could only hear the birds sing’, ‘life was all so perfect before…’ or ‘not a sound could be heard before the first explosion’ proliferate such writing. What I found fascinating was whether there was any reality to these accounts, the ‘before the explosion’ moment where they claim to be actually aware of the world surrounding them. My challenge was fairly mundane, people notice silence when they go on holiday to the country from the city or find themselves on a deserted beach, however in the general hubbub of daily life the sounds of aeroplanes, the worry about going into overdraft and picking up the kids from school fills the conscious mind. For soldiers during war, concerns about mother’s health at home or finding some extra rations become the daily normal. Basically it is rare for people to note such change in their daily life except in exceptional circumstances, like going on holiday, going to war or, as in now the present case, a global pandemic.

A mother’s cry

Silent Cacophony sought to try and mimic the experience of sudden change. Anyone who has listened to the wailing of a mother on hearing of her child’s death will often say it is one of the most harrowing sounds that can be heard. Such a sound, which can only be truly created by such grief penetrates the consciousness as no other. The loud bang of an explosion, or the internal crunch of bones one hears when in an accident, offer very precise moments in time, an event few ever forget. These moments are so abstract to daily existence that it becomes a struggle to interpret, both internally within the mind and externally when explaining to others. The philosopher Walter Benjamin wrote of the silence of those who returned from the trenches of the First World War, they would not discuss the horrors, and took the experiences to their graves without ever sharing. The silence hides the trauma, almost a cacophony of competing thoughts, processes and arguments going on within the mind. Self-challenges, ‘could I have done more’, self-loathing, self-doubt and many other competing internal discussions churn over and over, days, weeks, years and too often for lifetimes.

‘Was it not noticeable at the end of the [First World] war that men returning from the battlefield grown silent – not richer, but poorer in the communicable experience?’ (Benjamin, 1990, 84)

Covid-19 abstraction

The world is now sharing a worldwide abstract experience, as if it is a global abstract art intervention in which everyone is a participant. In the UK at least, there is a resounding Silent Cacophony dichotomy. Street of cities and towns are in the most part silent, beyond birds and occasional distant vehicle, yet it can only be guessed at by us on the outside of hospitals the noise, bustle and horror that is occurring within those buildings.

As with war diaries, and with accounts of those who have experienced terrorist attacks, there is likelihood of some rearranging the pre-Covid-19 memories; money was not such an issue, there was enough food, actually the relation with father was OK. A gloss will be painted over the top of peeling flakes in hope it will deceive the eyes to the reality of these events, it will be the only way for people to restart their daily lives. However on a wider scale, a collective change is in motion and only time will be able to reveal what it will look like.

Reflection

For me, I suppose, is that following this crisis more people will be willing (or able) to appreciate the importance of abstract art and performance, and the unique role it plays in preparing everyone for the unknown. Abstract art intervention events like Silent Cacophony seeks to safely challenge people to consider beyond the hamster wheel that we are all collectively engaged in turning, while rushing about in living daily life. Life will return ‘to normal’, however the normal will not be as it was. Only through reading, watching and listening to our words and actions pre-Coronavirus that we might be able to understand who we were then, as our own minds will distort the past, no matter how hard we try.

Coming of sound

My one forecast beyond this period will be the increase in those interested in sound, soundscapes, soundart and concepts of noise. When the planes begin flying again, people will notice the noise, it disruption to sleep, to conversation and to life – and this will lead to a fundamental revaluation.

John M – 11th April 2020, Easter Saturday

References

Benjamin, Walter. (1990/1955) Illuminations, Ed. Hannah Arendt, Translated by Harry Zorn, London, Pimlico